Fundamentals of its own aesthetic

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I rescued this work production process because I consider it the foundation of what I'm doing now. 

In these works I modeled in clay the human figure, an exercise that I continue to maintain. I was interested in capturing the particulars of each being. What that body says. Your key move. To do this I inquired into the great spatial planes, the tensions, the search for movement. All on a full scale. At that stage I was attracted to the great sculptors of the early twentieth century, those who started from classical sculpture and rethought it. 

Rethink what is given under a style of its own.

In the present and in the immediate future I concentrate my gaze on a fragmented subject. Investigating different techniques of realization of this idea.

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